Top 10 Best Shotgun Mics – Ultimate Buyer’s Guide (Reviews)

Last updated on December 28th, 2020 at 05:24 pm

If you are surfing the internet trying to find the best shotgun mic, then you have come to the right place. This detailed guide will definitely help you get all the information and then choose the best shotgun microphone.

Best shotgun Mics

After a high-quality video, good quality audio is essential. Without good audio, your videos can be useless. Very low-quality microphones record the background noise instead of the actual dialogue. That doesn’t mean you have to invest hundreds of dollars in audio equipment. Although the market is full of well-known microphones, according to audio requirements, it is complicated to find high-quality microphones.

Short microphones are essential in the film industry, and these microphones allow the recordist to capture distant sounds. However, professionals mainly use these microphones, but due to further advances in audio technology, these products offer pro-level sound at a too less price.

Shotgun microphones are a vital tool in the world of fashion video and music production. The shotgun mic is also using as a sideline microphone in broadcasting. In any case, from their narrow pick pattern, Great for recording speakers and voices whether it is attached to a bottom pole; Connected to a camera, Or in another case, set up around the set.

The Best shotgun mic is a fantastic tool to have in your film/location sound kit. A right shotgun mic is very tack-full to the direction it places and rejects background sound and noise.

Suppose you are not an expert in a sound professional, So it’s tough to know which shotgun mic has a good reputation or which don’t.  Although shotgun microphones can be expensive but making a mistake can be very costly.

One important thing is that not all shotguns are the same. In this guide, We provided the top 10 microphones that you can buy from the market. Everybody wants no background noise when recording video. A good quality microphone is needed to register your dialogue and voice, So shotgun mics are the best solution.

We will talk about the types of shotgun microphones and discuss the features that produce a great mic. To help you, we’ve researched and provided you the ten best microphones. Here are some best shotgun mics for you:

In a hurry? This is our choice
IMAGE PRODUCT DETAILS  
    • Weight: 12.8 ounces
    • Connector Type: 3-pin XLR
    • Size: 9.5 x 5 x 2.75 inches
Check Price
    • Weight: 1.1 Pounds
    • Material Type: Metal
    • Polar Pattern: Uni-directional
Check Price
    • Weight: 15.2 Ounces
    • Power Source: Battery Powered
    • Polar Pattern: Unidirectional
Check Price
    • Weight: 1.8 Pounds
    • Connections: Wired
    • Polar Pattern: Line-gradient
Check Price
    • Weight: 0.36 Pounds
    • Power Source: Battery Powered
    • Polar Pattern: Uni-directional
Check Price
    • Weight: 7 ounces
    • Compatibility: H5, H6, Q8
    • Polar Pattern: Super-cardioid
Check Price
    • Weight: 8.8 ounces
    • Compatibility: H5, H6, Q8
    • Polar Pattern: Uni-directional
Check Price
    • Weight: 8.8 ounces
    • Compatibility: H5, H6, Q8
    • Polar Pattern: Uni-directional
Check Price
    • Weight: 1.05 pounds
    • connector-type: H3.5 mm Jack
    • Polar Pattern: Uni-directional
Check Price
    • Weight: 1 pounds
    • connector-type: USB
    • Polar Pattern: Uni-directional
Check Price

1. Audio-Technica’s AT875R Shotgun Microphone

Audio-Technica’s AT875R is created for video production and broadcast (ENG/EFP) audio capturing. This audio technology is a shotgun microphone, it mounts smoothly on a DV camcorder without adding notable heft, and is optimal for firm digital cameras. This tremendous-performance microphone offers a gradient design and narrow acceptance angle of the line also. This Mic also features smooth, natural-echo on-axis audio quality and excellent off-axis rejection of sound entering from the microphone’s sides and rear…

Although, Audio-Technica AT895 R is a business favorite shotgun microphone for boom applications in movies. This lobar polar pattern gradient mic can work on 1.5V AA batteries or Phantom Power. This microphone is made to last and comes with its windscreen and shock mount.

A short interference tube shortens the length of the AT895, allowing for closer capture of the characteristic sound and direct camera mounting with a slight risk of the microphone come out in the frame. The AT895’s diminishing acceptance angle makes it an excellent choice to capture distinct audio sources on a set.

Features:

  • For video production, broadcast, and indie films.
  • An extreme short length of 7′ easily useable with digital cameras
  • furthermore, this microphone has Good rejection ability from the background and sides of the microphone.
  • XLR connector
  • Handling noise
  • Mount easily
Pros
  • Good sound quality
  • Less weight
  • Phantom powered or battery
  • Video/film production
  • The standard for Boompole Mounting
  • Windscreen Reduces Wind Noise
  • Protective pouch and mic stand adapter
Cons
  • No cons

2. Sennheiser MKH416-P48U3 Shotgun Microphone

Shortened shotgun interference tube mic for video, radio, and television, especially for outside broadcast. Excellent compact design directional. The venerated MKH 416 is a compact stress-gradient microphone with a precise interference tube, highly immune to moisture due to its RF condenser design. Featuring high directional, low blending diction, and feedback rejection, the MKH 416 can handle difficult outside filming and reporting situations without any difficulty. Hypercardioid/lobe pattern, matte black finale, equipped with the MZW415 windscreen

MKH 416 mic is a short gun interference tube microphone. Its compact design and good directivity, high agnate articulation, and background noise rejection make the MKH microphone a superb all-round best for video production, film, radio, and television, exclusively for outdoor broadcast applications and news reports.

Climatic Conditions:

When you work outdoors, don’t be restrained from encountering humidity and dust, causing many microphones to fail. This MKH 416-P48U3’s RF condenser development makes it highly immune to moisture, allowing you to record high-quality audio in normal and adverse climatic conditions reliably.

Windscreen reduces

This shotgun mic has a foam windscreen to minimize the unwanted wind noise from fans, heaters, breezes, and air conditioners. For a massive reduction of wind noise in indoor or outdoor moisture conditions, consider the Sennheiser MZH.

perfection for Boompole Mounting

This shotgun mic has a feature of a metal black matte finish to prevent disturbing visual reflections. You can mount the MKH precisely on a stand or boom pole using the provided MZQ 100 clip.

Outstanding Sound Quality

The less self-noise of 13 dBA and high sensitivity of -32 dB facilitate studio-worthy signal purity without demanding noise reduction and attain boosting in capturing. Its 40 Hz to 20 kHz response frequency assimilates an affable ascent from 5 to 15 kHz to increase intelligibility and a natural bass roll-off to alleviate rumble.

Features:

  • Excellent gradient receiver with a shortened interference tube
  • High directivity due to the interference tube of the microphone
  • Super-cardioid pattern
  • Transformerless and entirely floating balanced output
  • black Matt full-metal body
  • highest signal ability
  • No buttons, dials, and switches
  • Hypercardioid at low frequency
Pros
  • Inherent-self noise is very low
  • Huge sensitivity
  • Easy to use
  • lightweight
  • MZW415 windscreen
  • Maximum sound pressure level
  • Suitable for climatic conditions
Cons
  • I didn’t see anything wrong with that till now Because it’s so professional

3. Sennheiser MKE600 Wireless Microphone

Your work’s win depends on achieving the excellent interplay of photo and sound – and under the most ambitious

situations. It doesn’t matter if you are recording indoors or outdoors in the city with poor acoustics: MKE600 wireless microphone has the perfect solution for high-quality sound.

The Sennheiser(MKE600), the condenser microphone with the excellent directional feature, was designed for video journalists who require high-quality, perfect, and easy-to-use apparatuses.

When you need to relocate, and suddenly the camera has to be set. This wireless shotgun mic is your best companion for demanding shoots. This shotgun mic is best for your video camera/camcorder microphone to control even pressing movie challenges. Due to its high directional feature, the MKE 600 record sounds from the direction in which the camera is mounted and effectively reject noise coming from the sides and background rear.

The Sennheiser microphone engineers did a great job of developing a counterbalanced

the Mic that will exceed the demand of most in your profession, and I’m sure the name “MKE-600” means a lot to someone. But the fast pace of audio production does not allow the time for calling everything by a six-syllable name. Additionally, a nickname for a new friend is a term of affection and approval. So, when you need a simple, wireless, lightweight, loyal, low-cost, short-shotgun Mic, You will soon hear yourself saying, “Get the Mickey-Six!”.

Phantom Powered

The switchable “Low Cut” filter additionally decreases wind noise. Because most of the video cameras/camcorders do not provide phantom power, this MKE 600 can also be battery powered. A storm on/off switch Protects the battery from discharging out quickly.

Features:

  • Very directional
  • Phantom and battery-powered
  • Maximum rejection of rare noise
  • Switchable low-cut filter reduces wind noise
  • excellent suppression of structure-borne noise
  • Low cut filter
Pros
  • Lightweight
  • Good sound quality
  • predictable rejection pattern
  • Low batt battery indicator
  • Metal coating
  • Perfect for camera mounting
  • Workable with DSLR cameras.
Cons
  • Expensive

4. Audio Technica AT897 Gradient Shotgun Mic

Well-structured for indie films, nature capturing, documentary projects, and video production.

The AT897 shotgun mic features effortless on-axis tone and excellent off-axis background sound rejection while its housing remnants short abundant for the camera-mounted process. Additionally, it operated via a battery and phantom power for flexile compatibility.

The audio technical shotgun microphone moderate sensitivity delivers optimal production when connected with high-gain, low-noise microphone preamps. With a selectable low-cut filter at 80 Hz, this AT897 can provide transparent sound while debilitating rumble and bass buildup. Additionally, its full-spectrum frequency response appropriate a gentle boost in high frequencies to raise intelligibility.

Audio-Technica’s AT897 manufactured for field audio acquisition in movie/TV/video production, professional capturing, wildlife recording, and operations. It mounts easily on a DV camcorder without adding noticeable heft and remains out of the frame even with compact digital camcorders.

The short shotgun’s high-performance offers excellent high-distance audio pickup due to the precise acceptance angle of line + gradient design. It also provides smooth, natural-sounding on-axis sound quality and outstanding off-axis rejection of audio from the background, sides, and rear of Mic.

Outstanding sound quality

The 11″ lengthy AT897 shotgun microphone uses an interference tube and a super-cardioid polar pattern to yield concentrate on-axis directional while focusing rear-entry sound and rejecting background noise at the sides. Undoubtedly makes the AT897 microphone far more competent at recording distant sources than the omnidirectional microphones found in most camcorders.

Bass Roll-Off

The high-pass filter can be fixed to flat or 80 Hz to roll off low-frequency noise from natural sources such as transport and air conditioners.

Windscreen reduces wind noise.

The AT897 shotgun mic has a foam windscreen to minimize undesirable wind noise from fans, heaters, breezes, traffic, and air conditioners. Increased attenuation of wind noise is feasible with the addition of an optional windshield such as the Rycote 15 cm Super-Softie, which also implements high immunity to rain.

Outstanding noise reduction

The microphone’s narrow pick-up pattern is adorable for recording audio signals at long distant. Plus, this type of Mic’s interference tube can be elongated to minimize the acceptance angle and increase the sound recording distance. Outstanding off-axis sound rejection minimizes noise and ambiance, accentuate the desired signal.

Features:

  • Outstanding sound rejection from rare and sides of Mic
  • Works on battery and phantom power
  • Manufactured for broadcast and video production audio acquisition
  • Perfect for High-Gain Preamps
  • Comes with accessories (windscreen, carrying case, battery, and two O-rings)
Pros
  • Short length
  • Long-distance sound pickup ability
  • Lightweight
  • Fair price
  • Outstanding for remove capturing
  • Clear recording
Cons
  • Windscreen is useless
  • Needs 48V phantom power

5. Rode NTG2 Multi-Powered Shotgun Mic

Suitable for Recording High-quality sound indoors or outside for your next indie film, TV shoot, a documentary project, or video production with the Rode NTG2 Multi-powered shotgun microphone. It can endure loud audio sources before distortion and support for phantom power or battery with low handling noise. This NTG2 condenser shotgun offers an adaptable, cost-effective solution for capturing clear dialogue and audio effects.

If you want a mid-range prize mic, then this Rode NTG-2 multi-Powered Directional Microphone is perfect. This multi-powered microphone works as a condenser cable professional microphone for TV shows. Incoming audio notes are emitted clearly with the integration of the super-cardioid pickup pattern. It can be held in the interviewer’s hand for an extended duration of time without tiring. Superior technologies used to build this microphone To minimize the background noise and provide good audio.

You know you can count on NTG2 for an excellent mic at a low price. And that extends to indie film and video work! When you need a good microphone, then I recommend RODE NTG-2,

built to perform. It’s lightweight; You won’t have any problems using it on a boom pole or as a camera-mounted mic.

Outstanding for outdoors

The Rode mic also sounds doubtless great, thankful to its high-frequency range and compact super-cardioid pickup pattern. Want tough? It’s saying fantastic, that’s why you can go where you want to use it in any environment.

Want resilience? This rode microphone can be phantom powered, or you can use it off of a battery. The Rode mic entirely comes with a mount and a convenient windshield.

Nevertheless, it is excellent for outdoor recording if you use it with a blimp. It is a significant overhead, double powered microphone.

Features:

  • Ideal for video production, film, and voice over
  • 20Hz to 20KHz frequency echo-response
  • Works either on a p48 phantom power and AA battery of 1.4 v
  • Comes with WSVM windshield that reduces wind noise
  • Rugged metal case
  • Two steps (flat/80Hz) high pass filter
  • Super-cardioid pickup ability
Pros
  • Good capturing quality
  • Less weight
  • P48 phantom power and battery
  • Excellent for boom pole mounting
  • Low noise
  • Excellent accuracy
  • Very sensitive
  • Perfect for video filming
Cons
  • Frightful windshield
  • No on/off switch

6. Zoom SSH-6 Stereo Shotgun Mic

The Zoom SSH-6 Stereo Shotgun Mic build to work efficiently with the company’s H5 and H6 voice recorders and the hybrid Q8 audio and video recorder along with U-44.

If you are a film interviewer, then add this Zoom SSH-6 to your shortlist. The SSH-6 can focus on the sound source with pro-level integrity, and it offers onboard audio monitoring and handling. The vocal reproduction is excellent and very good—a very directional device with three mics, two on the sides. And one on the top. The top Mic picks up sound in the center, and its bidirectional ones gather sound from the left and right sides.

A hairy windscreen comes with this microphone to reduce wind noise. This Mic is so perfect for outdoor broadcasts and live recordings. This Mic is appropriate along with the H5 and H6 as well as the Q8 Handy Video Recorder.

This mic can record a fully mono-compatible stereo image—ideal for film, video production, and tv projects. You can record dialogue with the mid-mic and then mix in the desired amount of substantial audio recorded by the side mic directly on your Zoom recorder or post-production.

The SSH-6 shotgun mic is so perfect at directional recording, and it’s so affordable too. If you want an excellent stereo field, I would recommend to the capsule that the H5 comes with, but that isn’t too directional, so be careful that the SSH-6 is So much perfect for this. This SSH-6  Zoom mic is ideal for videographers that are just starting. The price isn’t too bad; it’s affordable.

Features:

  • Hairy Windscreen
  • On-Board monitor
  • Super directional
Pros
  • Outstanding value
  • Perfect for a news report
  • Ideal for live shows
  • Excellent vocal reproduction
  • Noise reduction
Cons
  • awkward design
  • It’s a minor gripe, so won’t qualify into the stock case wearing the hairy dead cat
  • can’t change the mid

7. Shotgun SGH-6 Zoom Mic Capsule

If you are here for the best shotgun mic to capture audio for electronic newsgathering or video production, then this shotgun mic capsule is perfect for you.

Zoom’s SGH-6 is created to be highly versatile and should interest budget film-makers, bands, interviewers, musicians, and anyone else trying to record multiple sound sources on location.

This zoom hyper-directional mic attaches to the top of your H6 recorder to assemble interviews, dialogue in video production theaters, or on-the-scene live reporting for news. It has three internal mics that create this Mic’s super-cardioid polar pattern at a shorter length than most shotgun mics.

It is compatible with your H6 recorder and DSLR camera. You can use it easily for accurate audio recording. Furthermore, it comes with a windscreen to reduce low-frequency noise when recording outdoors like new reporting.

Shotgun microphones usually are using when you can’t put a sound source in front of a Live show. Like a guy talking in front of a camera and you don’t want them to hold an interview mic up to their mouth, The best solution is to use a shotgun microphone.

While shotgun mics are not the audio corresponding to a photographic telephoto lens, they do an above-average job of capturing sounds that arise from a short distance away; they always sound better when they’re close to the sound source. If the shotgun mic is more than three feet away, the audio will start to sound distant. The farther more away it is, the more distant and profound the audio will become

Features:

  • Professional mic capsule for H6 recorder
  • Hyper directional capturing ability
  • Three internal mics
  • Super-cardioid
  • Comes with a hairy windscreen
Pros
  • Highly flexible
  • High pickup power
  • DSLR integration
  • Hardware controllable
  • Ideal for film/video production
  • Perfect sound recorder
  • lightweight
Cons
  • no cons

8. Audio Technica AT8035 Condenser Microphone

Audio-Technica condenser is a 14.5″ highly directional, medium microphone. It is an affordable and powerful instrument for sound recording, excellent for filming more expansive scenes or walk talk shows.

Further, you know most shotgun microphones reach effectively two feet. In comparison, medium shotguns can effectively work from up to 4 feet long distance. This audio technical model weight is very little and very compatible with booming techniques.

Audio-Technica is a best shotgun mic for long distance that produces perfect products affordable. This audio AT8035 is an ideal choice for the documentary, film production, and broadcast applications — both indoors and outdoors recordings. It has excellent off-axis rejection ability along with the pickup ability of long-distance. Although it is an entry-level shotgun mic and, if used correctly, it can give good results.

Excellent sound quality

Usually, AT 8035 is quite good but not perfect, which has more to do with the frequency pattern. It curves peaks in the upper range with an appreciable 5 dB boost that results in an enlightened being – somewhat similar to several other Audio-Technica shotguns.

However, this can sound a bluff feel; it becomes weary in more complicated and emergencies. The low range is somewhat conspicuous and weighty, while it works perfectly and well with roll-off.

For example, when you work in a street environment or like emergency reporting situations the things like self-noise that commonly accentuated in professional models are hardly even admissible.

This shotgun mic has a high directivity feature that results in the rejection of environmental noise.

Design

This shotgun mic has very little weight and is very easy to use. You can’t use it with a DSLR camera. It will come with a frame while you can use it with other big cameras. You need to know. It is very sensitive to handle noise, carefully you have to control yourself, and a good shock mount is a must. It is not in the package, so you will have to purchase it separately.

Body design can be more convenient, but this classic design is also great. It also runs on a single AA battery and phantom power.

Features:

  • Perfect noise rejection ability from background and sides
  • Works with phantom-powered and battery
  • Length is good
  • Comes with protecting case
  • Excellent windscreen
  • Highly versatile
Pros
  • Ideal for outdoor recordings
  • manufactured for ENG/EFP broadcast and video productions
  • lightweight
  • perfect accuracy
  • Natural
Cons
  • You will need to purchase separate a good shock mount and windscreen

9. Azden switchable Stereo Mic

Azden stereo is a reliable microphone that makes a hybrid of shotgun and X/Y stereo mic. It’s incredible to see this inventive approach from Azden, a relatively new builder, but they’ve absolutely created a new, highly demanded, and quality chunk of the instrument. SMX-30 microphone also wears a moderate price tag. Charges about the same as Rode mic pro, it brings you a different stereo mode for free.

We were doubtful about this publication because there is no such thing as this free lunch, they say. Yet, the stereo mode turned out everything but flawed and not even lesser to standalone apparatus!

This azden Mic has both stereo and mono characteristics with a definite capsule feature for switching function. You will get two options in this Mic. one is that you will get a super-cardioid shotgun mic when you put it on mono mode, and another is that you will be able to record the stereo image. These two options facilities make Azden SMX-30 a great Mic for all.

This azden Mic has a complete frequency response ranging from 40Hz to 20kHz, so the sound you capture will sound full and naturality.

Furthermore, a low-cut filter switch included minimizing the low frequencies below 120Hz, which is especially useful for reducing noise caused by air conditioners, wind, and traffic transport.

Power system:

This Azden Mic powered by two AA batteries, a lower cost choice than the 9V battery used in some other microphones. The Azden microphone can achieve 24 hours of operation with no audio quality deterioration with a single set of batteries. The indicator LED light tells you to know when it’s time to change the battery up to a warning of 1 hour.

Pros
  • Low price
  • Stereo and mono mode facility
  • Switchable
  • Attractive design
  • controllable
Cons
  • slight Noise Hearable In Silent

10. Rode NTG4+ Super-Cardioid Condenser Shotgun Mic

IT is a directional condenser microphone that comes with an in-built battery. This mic is very highly sensitive and low-noise functionality. Although the NTG4+ microphone is from Rode, it has a

rechargeable battery inside it when the phantom power is not available. There are also three buttons on NTG4+ that are handy.

The first button offers a 10 dB padding, so if you’re recording loud noises like maybe an engine noise or a sound effect of a door slamming or perhaps you are in the event.

The second button is a 75 Hz high pass filter and these are for if you have some humming going on the background like a like an air conditioner or something some unwanted sound, you can use this button to pick up the audio that you really won’t like someone’s voice

The third one is a frequency boost button. You can use this if you’re using a dead cat or a blimp, something that would cover up the mic to reduce wind noise because when you use those kinds of things, it has a little bit effect on the audio that’s being picked up so you can use this frequency boost.

All of the rode mics have their kind of sound that comes straight from the microphone. Rode NTG4+ is endless in features and specifications as compared to other microphones. It has a USB charging facility; you can charge it via USB cable by connecting it to your laptop or power bank. It needs round about 2 hours to charge fully and then last up to 150 hours

NTG4+ has a richer sound. It is a great mic. I don’t have a bad thing to say about this. However, if the battery were removable, that would be something nice, but you can’t always get everything you want on the microphone. It is still a great mic and captures great audio; it eliminates a lot of surrounding noises.

What’s the sound quality? The sound quality is generally perfect and crispy and clear with deep bass, and the switches help everything so much easier.

While it’s excellent for voiceovers, it’s great for indie filmmakers, ideal for picking your general sound.

Pros
  • Great sound quality
  • Affordable
  • Rechargeable battery
  • 150 hours timing of a battery
  • Modern design
  • Fully charged within 2 hours
Cons
  • non-removable battery
  • bulky length

Buying Guide:

Are you looking for the best shotgun microphone for your video? There are so many options available, so many different varieties of different flavors that they can provide. A microphone is a very confusing topic, so we am here to help our quick guide, trying to help you choose your next mic when working on your new project. I don’t know your need, but we can help you figure out the best one for your video production.

First, you need to don’t use built-in camera mics. There is a bunch of microphone reviews described above. We hope you already read them and determine what one you want to utilize. The highest image quality and visual capabilities are necessary, but this is the half battle.

Sight and sound both are very crucial to transport the audience into the story. Many new filmmakers do not turn to audio. While video, as well as audio quality, is essential.

Our goal is to set Improve the audio quality of your video production. So the first step you need to choose the right microphone. Suppose you don’t have much budget. In the film, you have to focus on the human voice, which is the most important. The Shotgun microphones I mentioned will fit your budget. These microphones can work for you and your videos.

Polar pattern:

Let’s move on to the polar pattern or pickup pattern. Microphones are different from each other in their polar pattern, which is how a right mic picks up sound from different directions. Shotgun microphones also have a polar pattern ability, and directional functionality, and these mics are also highly sensitive.

Here are three crucial factors to record a voice with the microphone.

Great choice:

It is essential to choose a good microphone for your work. There are different types of mics. Common types are dynamic, condenser, and ribbon that can be used, and each mic has its ability to capture directional functionality and characteristics.

Position: When you record audio or music, it makes a big difference in how you put the position of the mic

Location: recording sound inside the room and outside in an environment dramatically impacts sound quality.

By understanding these three factors, you can choose a good microphone.

Good audio is just as crucial as good video, and if not more so, even if you are investing in a lower-end camera, make sure you get a better or higher quality sound; they’re also delicious. Some of our reviewed microphones are high in price, and few of them are the cheapest, but the important is fulfilling your requirements. A clear voice and understandable dialogue play a vital role in the video.

The purpose of the short gun mic is to focus the sound while rejecting the background sound. If you pay attention to audio, your audience will also pay attention to your video.

Buying guide Infographic about shotgun mic
Infographic

Faqs:

  • What is a shotgun mic?

A shotgun mic is a long, narrow tube with slits having a capsule near the rear end. It allows the desired sound to pass through the tube to the capsule. Shotgun mic proves to be best for video as they pick the right kind of sound without all the messy voice and all the other uproar sound. Low-level sound is amplified to an audible sound signal by a shotgun mic.
For proper usage of the shotgun mic, you must have to wear an excellent headset to hear the mic when pointing on-axis or off-axis.

  • Does rode mic needs a battery?

Yes, Most of the rode microphones require batteries like NTG2 and NTG4+. Rode NTG2 needs 1 AA battery that makes this shotgun microphone ideal for scenarios where the camera does not supply phantom power. In contrast, Rode NTG4+ needs one lithium-ion battery that provides 150+ hours of timing with a USB charging facility. You can charge it via USB cable by connecting it to a power bank or pc/laptop. It will charge fully within 2 hours. But the rode has new microphone rode video mic go which doesn’t need a battery

  • What type of microphone is a shotgun mic?

Shotgun mics come into a category termed “high-directional microphones.” They are higher directional than a standard cardioid or super-cardioid microphone. The usage of a shotgun microphone is to pick up the desired music where it is pointed out. Sometimes shotgun microphones are described as Line Microphones.

  • How to use a shotgun mic?

The shotgun mic’s primary use is to pick up the desired sound from a source located somewhere away and reject unnecessary and undesirable off-axis voice. Before use, you want to point the mic in the right direction; you want to get that mic as close to you as possible. The one crucial thing that you don’t like to point directly at your mouth; you want it in a little bit in front of you, pointed about one to two inches right in front of your mouth; otherwise, it produces ambient voice and off-axis sound.

  • How to connect the shotgun mic to a boom pole?

The ideal boom pole is lightweight and extendable. it will allow the boom operator to have maximum control of it at all times
Some boom poles have an XLR cable built into the pole’s hollow shell; then, it will be plugged at the bottom of the microphone. As you are filming, once you have plugged in XLR to your microphone, plug the other end into your camcorder or audio recording device.

Conclusion

To sum up the whole discussion, we hope this list of best shotgun mics helps you. All types of shotgun mics are best in their characteristics and features. Some mics are best for the indoor and some for the outdoors.

I have reviewed the top 10 best shotgun mics for you. all are good and perfect, but we like Rode NTG4+ because it has good sound quality and affordable. You can recharge the battery within 2 hours by connecting to a power bank or laptop using a USB cable. The design of NTG4+ is also so dashing and fantastic.

We value both your money and your time; therefore, we offer various highly-rated shotgun mics for you. If you have any query related to microphones, then leave a comment or contact us

More you like:

Leave a Comment