If you’re just starting out with an electric guitar, electric bass guitar, or violin, then you may have already considered investing in the best microphone for guitar amps. If you’re an experienced player looking to upgrade your gear or a beginner looking to improve your skills, there are plenty of choices available to both parties.
Purchasing a new microphone for your guitar amp can be a thrilling experience, but it can also be exhausting. Particularly with so many choices to choose from the great amount of versatility among the characteristics.
When you’re ready to buy a new microphone, particularly if you’re a beginner or an experienced player who hasn’t kept up with the latest developments in the mic world. The terminologies can be particularly perplexing. That is why we are here to help you. We have selected the top 10 best microphones for guitar amp, describing all of their features in detail so that you can get a clear picture of what you are investing your money in.
10 Best Microphone for Guitar amp
The Shure SM57 is a well-known microphone in the music industry. It’s all over the place. In intimate clubs and stadiums with 100,000 seats. Legendary performers and the newest up-and-comers alike use this well-known microphone. Thousands of SM57s are working behind the scenes in professional recording studios all over the world, which you may not have seen. In fact, it’s likely to be found more studious than any other microphone.
The sound of a snare drum cracking, a chord that is arpeggiated or a saxophone solo with a lot of force, no matter what kind of sound you are playing, the notes that flow from your instrument bind your audience on a visceral level, whether on stage or in the studio. And such sounds necessitate a microphone capable of handling their strength. The SM57 delivers the strength of your playing to every fan in the building, regardless of acoustic conditions.
- Clean frequency response: It has a frequency response from 40Hz to 15000Hz. Moreover, instrumental reproduction, and rich vocal pickup are all features of the contoured frequency response.
- Professional quality: For drum, percussion, and instrument amplifier miking, professional-quality reproduction is needed. This best microphone for electric guitar amps gives the required professional quality reproduction.
- Pickup pattern: The key source is isolated while background noise is reduced by using a uniform cardioid pickup pattern.
- Shock-mount: The use of a pneumatic shock-mount system reduces handling noise.
- Durability: This microphone has a wired connectivity and is extremely durable, no matter how heavy is the use.
Along with the legendary C12, the C414 is possibly AKG’s most well-known microphone. Despite this, the C414 has undergone a range of evolutionary changes throughout its long existence, including shifting shape, adding and removing transformers, and now sprouting LEDs in its most recent incarnation.
Although the new versions’ overall shape is unmistakably C414, nearly every aspect of the microphone has been revamped in an attempt to preserve the original sound while also improving technical efficiency. AKG lists 15 improved features, one of which is the depth of engraving and color of the infill, indicating that certain features are more important than others.
- Linearity: This best microphone for guitar amp is engineered for maximum linearity and neutral sound for beautifully detailed vocal and acoustic instrument recordings.
- Unique polar patterns: There are nine different polar patterns to choose from for the ideal setting for any application.
- Attenuation levels: For close-up recording or high-output sources of up to 158dB SPL, three attenuation levels (-6/-12/-18dB) are accessible in this microphone.
- Switchable filters: Three separate bass-cut filters are switchable to minimize wind noise, subsonic noise, or proximity noise.
- Overload alert: To detect the shortest audio peaks, an overload alert with audio peak LED is shown.
The R-121 has a figure-8 pattern, performance level comparable to a dynamic mic, warm, realistic sound, and flat frequency response, much like many of the best classic ribbon mics. The similarities, however, stop there: The R-121 is an incredibly flexible and user-friendly ribbon mic that can stand up to the test of time thanks to modern materials and a mix of cutting-edge and old-school, hand-build design techniques.
Electric guitars cranked up, close-up brass, drums – you name it, the R-121 will help you record it with realism that you have to hear to believe. The R-121 is designed to last, and we back it up with a lifetime warranty. We expect you to own it for as long as you record it, and we’ll be there to help you every step of the way.
The R-121 revolutionized ribbon microphones to the point where Recording Magazine declared, “…the Royer R-121 is destined to become one of the 21st century’s iconic microphones.”
- High SPL capabilities: This best microphone for guitar amp has great SPL capabilities. It does not have any internal active electronics which can overload or produce any interruption up to maximum SPL level.
- Low residual noise: This microphone for electric guitar amp has a really less residual noise. It does not have any high frequency phase disturbance.
- Sensitivity: This microphone has equal sensitivity from back and front. The consistent response of frequency is provided no matter how far or near you are from the audience.
- Heat resistant: The ribbon element is unaffected by heat or humidity. This increases the sound quality for a longer time.
- Package contents: A microphone clip, a beautiful wooden case and a cloth bag are included in the package.
CAD Audio is a market leader in high-performance studio and live microphones that are both innovative and cost-effective. CAD Audio produces and builds microphones for the recording and live sound industries.
The TSM411 is a small, rugged dynamic microphone for high-impact sound sources like snare drums, toms, congas, guitars, and keyboard amps. Additional isolation is provided by the included rubber mic clip.
The key to the microphone’s latest duo-point suspension is an internal polymer floatation mechanism that decouples the rare-earth assembly from the metal enclosure, significantly minimising mechanical noise from microphone stands.
- Compact & durable: This best microphone for guitar amp has additional isolation which is provided by the included rubber mic clip. Snare drum, elevated toms, floor toms, guitar cabinets, brass instruments, and more are all good candidates.
- Pick-up pattern: For a cleaner blend, this best microphone for electric guitar has the supercardioid pickup pattern, ignores unnecessary ambient noise and focuses on the sound source immediately in front of it.
- Body: It’s a fantastic microphone for anything and all. Rugged toughness is provided by the die-cast metal body and hardened protective steel screen.
- Duo-point suspension: An internal polymer floatation mechanism decouples the rare-earth assembly from the metal enclosure, greatly reducing mechanical noise from microphone stands, which is the key to the microphone’s new duo-point suspension.
- Specifications: This best microphone for electric guitar amp has 100Hz to 15 kHz frequency response. Impedance: 310 ohms, weight: 0.49 pound.
Since 1967, the U 87 has become the music industry’s uniform. The warm sound and well-balanced characteristics of this microphone are well-known. The new U 87A has a 6dB higher signal-to-noise ratio than its predecessor. EA87 Shock mount, windscreen, cable, and a wooden jeweler box are included. The Neumann U87 studio microphone is renowned for its warm, well-balanced sound.
It has a large dual-diaphragm capsule with three directional patterns to choose from: unidirectional, cardioid, and figure-8. It has a 6dB signal-to-noise improvement over its predecessor. The U87 can manage sound levels up to 127dB without distortion thanks to a 10dB attenuation switch, and the low frequency response can be decreased to compensate for proximity effect.
The Neumann U87 has long been the standard studio vocal mic, but it also works well as a main mic for band or home studio recordings, as well as a spot mic for single instruments. The frequency range is 20Hz to 20 kHz, with a 200 ohm impedance. The Shock mount comes in a wooden jeweler’s box with a windscreen, wire, and EA87 elastic suspension.
- 3 selectable patterns: This best microphone for guitar amps has three selectable patterns that are omnidirectional, cardioid and figure-8. These patterns are responsible for better sound quality.
- Attenuation switch: There is a 10dB attenuation switch available in this microphone. Which has U87,that is responsible for sounds level up to 127dB without any disturbance.
- Low frequency response: This microphone has a great low frequency response which can be decreased so that the proximity effect can be compensated.
- Package contents: The package contains a wooden box, a shockmount, a windscreen, a wire and EA87 elastic suspension.
- Well-balanced sound: The microphone produces a really well-balanced sound which makes this device one of the most desired sound microphones.
The cardioid E609 instrument microphone was created with guitar amps in mind, but it also works well with percussion and horns.
The legendary MD 409 microphone is the inspiration for the aE609 Silver. The E609 Silver’s flat-profile capsule, which can withstand high SPLs without distorting, allows for extremely close miking of guitar cabinets and is also suitable for drum miking, especially toms.
The super-cardioid architecture of the e 609 Silver improves isolation in live sound reinforcement and recording applications, while increasing output and widening the frequency response improve performance.
The e 609 has a very good transient response. Its laterally mounted capsule was designed specifically for miking guitar cabs face on and very close to the signal source. The e 609 is also suitable for drum miking, particularly toms, because the profile of the microphone allows the capsule to be placed close to the drum skin. It has a unique silver address side on its sound inlet basket, which is made of refined steel.
- Applications: This best microphone for electric guitar amps is most suitable for Guitar amps, Drums, Brass, Toms and Banjo.
- Stability: Electrical interference is reduced by using a hum compensating coil. Regardless of the weather, the neodymium ferrous magnet with boron keeps the microphone stable.
- Pick-up pattern: The super-cardioid pick-up pattern isolates the signal from other on-stage signals. The unique lateral design eliminates the need for a clip and allows it to be hung from a speaker cabinet.
- Sensitivity: The midrange peak of 3-6,000 Hz captures the true sonic character of the instrument. With full fidelity, it is capable of more than 150 dB SPL. It comes with a clip and a protective pouch.
- Warranty: This best microphone for guitar amp comes with a market-leading warranty of 10 years. During this time-period, if you have any technical issue regarding the maintenance, you can ask the relevant experts team.
The MD 421 II is a well-known microphone in the world. Its excellent sound qualities allow it to handle the most diverse recording and broadcasting applications. The dynamic element’s large diaphragm can handle high sound pressure levels, making it ideal for recording guitars and drums. Most instruments, as well as group vocals and radio broadcast announcers, benefit from the MD 421’s full-bodied cardioid pattern and five-position bass power.
For over 35 years, the MD 421-II has been Sennheiser’s most common dynamic microphone.
Sennheiser is on a mission to find the perfect sound. Every single person who works here has this goal and ambition. The pursuit of perfect sound focuses us on the aspirations and requirements of our customers all over the world.
We provide them with a special listening experience or assist them in producing pristine sound for their audiences through our products and ideas. We’ve been doing it for 70 years and have no plans to quit. Because we have a mission: to shape the future of audio by leveraging our heritage, innovative culture, and commitment to excellence.
- Dynamic Capsule: The MD 421-II has a dynamic capsule, which provides consistent signal response over a wide range of distances and the ability to manage high SPL levels.
- Polar Pattern Cardioid: This best microphone for guitar amps has an Off-axis noise and ambiance which are effectively reduced by the cardioid polar pattern. The cardioid polar pattern is also good for refusing display input.
- Bass Roll-Off in 5 Positions: The microphone’s adjustable bass attenuation is provided by the 5-position low frequency roll-off switch, which allows it to be used in a number of circumstances.
- Professional Microphone with Reliability: For rugged and durable output in the studio or onstage, the MD 421 II features a glass composite housing and a reinforced stainless steel basket.
- Warranty: This microphone has a 2 Year Warranty against dust and humidity (There are certain restrictions.) For more details, please contact customer service or visit the website.
Beyerdynamic is recognised all over the world for using cutting-edge technology and maintaining a high level of quality. Beyerdynamic produces all of its products in Germany.
The M 160 from Beyerdynamic is a dynamic double ribbon microphone with a hypercardioid polar pattern that works well for both remote and in-studio voice reproduction. The M 160 is ideal for miking violins, violas, cellos, pianos, and saxophones in the studio, as well as hi hats and toms.
Its non-glare black surface and small size make it ideal for use in TV and film studios. The M 160 is suitable for stereo recordings in MS (Mid Side) technique when used with the M 130 dynamic double ribbon microphone (sold separately). Beyerdynamic has been a German family-owned business dedicated to continuous research and development for the audio industry since 1924.
- Versatility: The M160 has a wide frequency spectrum and is highly flexible. It deviates from the standard “Dark” sound of ribbon microphones. Two were used as overheads on a drum kit by a certain classic rock band to produce one of the most recognizable drum sounds of all time. M160’s aren’t just for overheads; they’re also perfect on toms, snare, and our personal favourite.
- Great history: An M160 has captured some of the most iconic guitar sounds of all time. The M160 is a must-have microphone for creating iconic sounds of the past and shaping the newest sounds and tones for today on live stages and in the studio.
- Quality production: The quality pledge “Made in Germany” refers to product production and manufacture: the designs of beyerdynamic engineers and designers in Heilbronn are then designed in Germany by approximately 180 highly skilled workers – often by hand.
- Specifications: Extended frequency response with a unique double ribbon microphone transducer with a hypercardioid polar pattern. Transparency and transient response are excellent.
- Compact: This best microphone for guitar amps has a rugged and compact design. Which adds to its quality as the most-desired microphone by the performers.
The AKG C414XL II Condenser Microphone is a world-class microphone for studio recording, broadcasts, and live performances, with five polar patterns to ensure optimal sonic output in any situation. When your level is clipping, a peak hold LED provides a visual indicator and reliably shows even the shortest overload peaks.
The included H85 shock mount reduces mechanical and handling noise, while the PF80 pop filter reduces plosive and sibilant sounds. The C414XL II isn’t only for studios; its versatility makes it suitable for live sound applications as well.
The different patterns are suitable for a wide range of recording applications, each with its own set of characteristics. The die-cast body is made entirely of metal and has a scratch-resistant finish for long-term use.
- Studio-quality audio: The AKG C414XL II Condenser Microphone’s broad frequency range enables you to capture every detail of your source audio as it was intended, which is essential for studio-quality recordings. The C414XL II Microphone was designed to provide maximum linearity and clarity for a neutral yet beautifully detailed tone.
- 9 Selectable polar patterns: The AKG C414XL II has nine different polar patterns (5 patterns, 4 intermediate settings) to choose from, making it ideal for any recording situation. Omnidirectional, small cardioid, cardioid, hypercardioid, and figure of eight are the five polar patterns available, allowing you to tailor the sound to your needs.
- Overload warning: The integrated overload warning audio peak hold LED is one of the most useful features of the AKG C414XL. Also the shortest overload peaks are visible thanks to the peak hold LED. This helps you to keep track of your levels and record without distortion every time.
- Bass-cut filter: For full audio efficiency, the microphone also has three switchable bass-cut filters to remove wind noise, stage vibration, and proximity effects.
- Design: This best microphone for guitar amps has a scratch-proof design, thanks to the all-metal, die cast body.
The Neumann TLM 102 introduces a new generation of studio microphones. At this price point, it sets a new output and value benchmark for microphones. Its smaller overall size leads to an extremely compact appearance that incorporates many of the standard Neumann design elements. Also at first glance, the harmonious proportions and gleaming grille ring ensure that this microphone gains attention.
The TLM 102 has a powerful tone. Its newly designed large-diaphragm capsule (cardioid) clocks a maximum sound pressure level of 144 dB, allowing for exceptionally high output levels when recording percussion, drums, and amps. The TLM 102’s extremely quick transient response is beneficial to acoustic instruments. Vocals and expressions are where the TLM102 truly shines.
It has a small boost above 6 kHz, which gives it great vocal presence in a mix. The frequency response is very linear up to 6 kHz, resulting in minimal coloration and a well-defined, extended bass range. An elastic suspension device in the capsule reduces handling and structure-borne noise. Plosives in vocal and expression are suppressed by a pop screen built into the grille.
The TLM 102 is ideal for home recording and project studios, as well as broadcasting, due to its low price and wide range of applications, particularly when clear lines of sight to the speakers are a priority.
- Low-self noise: The TLM 102’s technological capabilities are also impressive. Even in a very quiet space, its self-noise of only 12 dB-A is much lower than the ambient noise. Simultaneously, the TLM 102 can handle high sound pressure levels of up to 144 dB without distortion.
- Proximity: The bottom end of the TLM 102 is also stunning, thanks to the well-controlled proximity effect of a big diaphragm cardioid capsule. Every singer would be ecstatic.
- Efficiency: Even the smallest studio will benefit from the Neumann efficiency of the TLM 102. The TLM 102 blends technical excellence with a beautifully balanced sound for silky vocals, crisp guitars, and solid drums.
- Cardioid pattern: The TLM 102 is a joy to use, even for beginners, thanks to its cardioid pattern and integrated pop screen.
- Quick transient response: The TLM 102 is an excellent choice for male and female vocals, as well as a wide range of instruments such as acoustic and electric guitar, bass guitar and double bass, drums, percussion, brass, and saxophone, thanks to its uncolored sound and quick transient response.
Buying the best microphone for guitar amps can be a very difficult task. But we positively expect that you will find all the information provided above, quite useful for your selection. We wish you very best of luck for your music career.