Best Microphone For Filmmaking In 2021 – Top 7 Ultimate Reviews

Are you tired of your audio problems and searching for the best microphone for filmmaking to make changes? then, you are in the right place we have reviewed the different types of microphones for filming. Hope our guide might help you to find the right microphone for your film.

Best Microphone For Filmmaking

Global guesses estimate that the film business will be making a percentage of $50 billion from 2020. These large incomes are the result of various circumstances that include increasing demand from consumers throughout the world, enhanced financing, superior technology, high-quality faculty, and the best materials.

No concern how big your shootings are or how excellent the visuals of your complete film are, if they are followed by lousy audio, your video will be destroyed. That’s why we’ve placed the list of the best mics for filming.

Accidentally carried a sound or sound record that is just incredibly soft to be conveniently heard is a symbol of an apprentice or new video production corporation. It will divert watchers from the real intention of the film.

Using the best shotgun mics for filmmaking will help ensure that the sounds caught during filming are the qualities you want to be obtained.

It’ll also help reduce the obstacles of indistinct voices and loud environment background noise, as the microphone will have an extra directional feature. Further, it encourages you to pick up the audio you want to record, and not the audio you don’t want to record like occasional background noise.

Using a great microphone is exceptionally essential when you’re shooting a film if you want that the viewers will understand the words loud and clear of video—the best way to use the best microphone for filmmaking.

The best equipment involves microphones, camcorders, headphones, tripod stands, reflectors, and computer machines too. If you’re a filmmaker, one of the best investments you can make is in an excellent microphone for recording discussion on set.

Audio is an essential part of filmmaking. You need to pick the sounds you want and cut out the things you don’t want. The best plan to do this is to use the best mic for film production, not the built-in microphone in the camera.

  • The First one is Lavalier microphones, these are suitable for interviews and performances
  • The second one is Wireless microphones that allow your things to move around, but they’re pricey
  • The third one is Directional microphones that can help to limit undesired sounds
  • The last one is that You may require an audio recorder if you’re shooting with an SLR or mirrorless camera

That’s why today, you’re going to study all about the best shotgun mics for DSLR recording film options.

A great film needs both excellent sound and useful visuals presentations. Excellent audio begins with the best boom mic for film. Now choosing the best mics for filmmaking can be a difficult choice to make,

but don’t worry,

We’ve made a list of a few of the best mics for film available in the market. Let’s move into the list.

In a hurry? Here is our top PICKS

    • Weight: 300 Grams
    • Connector Type: XLR Connector
    • Connections:XLR
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    • Weight: 8.8 ounces
    • Connector Type: USB, 3.5 mm Jack
    • Power Source: Corded Electric.
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    • Weight: 2 Pounds
    • Batteries: 4 AA batteries required. (included)
    • Connector Type: XLR Connector
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    • Weight: 2.6 Pounds
    • Connector Type: 3.5 mm Jack, XLR Connector
    • Polar Pattern: Unidirectional
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    • Weight: 3.88 ounces
    • Batteries: 2 AA batteries required.
    • connector-type: 3.5 mm Jack
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    • Weight: 3.53 ounces
    • Connector Type: 3.5 mm Jack
    • Hardware Platform: Camera
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    • Weight: 2.75 Pounds
    • Batteries: 2 AA batteries required. (included)
    • Connections: Wireless
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  1. Rode Stereo VideoMic X Microphone

Rode Stereo VideoMic X Microphone
Rode Stereo VideoMic X Microphone

If you want to capture professional audio, then this Stereo VideoMic X is the best microphone for filmmaking by RODE that offers professional quality.

You can use it as an on-camera microphone for various environmental purposes such as interviews, weddings, outdoor and indoor shootings.

Moreover, this microphone features a matched pair of 1/2″ condenser capsules configured in an accumulated X-Y arrangement with cardioid polar patterns, a 40 Hz to 20 kHz frequency response 9V battery as well as 48V phantom power.

Furthermore, this is built with a stable mini XLR (TA3F) output connector and an unstable 1/8″ output mini-jack plug. It is also the best mics for beginner film production that can deliver professional-grade sound and gets the job done when recording audio in different outdoor environments.

Moreover, it also has a feature of digital switching on the rear that enables the user to control level change, high-pass filter, and the high-frequency boost to improve dialogue intelligibility.

  • Microphone Connections

You can connect this VideoMic to your camera with the given RF shielded 3.5mm stereo output cable, but the SVMX stands out because of its professional-grade equivalent outputs. It also has two mini-XLR threads, which allows you to connect the microphone to your known camera or audio capturing device to produce optimal quality sound. Furthermore, mini-XLR jacks can also give phantom power (+48V).

  • Controls

The Rode Stereo VideoMic X microphone turns ON with the press of a button. The controls, consisting of three digital selector switches, are well-lit and very easy to use. Press a switch to cycle through each setting. A green LED shows which location is currently picked.

The top selector button commands an individual high-frequency boost to help pick out high-frequency detail such as dialogue. The middle selector switch controls the  (HPF) high-pass filter settings, a low-frequency cut-off that can decrease noises like distant transportation or a rumbling air conditioner.

The lowest selector switch on the back of the mic is the Level Control. The center setting (0dB) is the optimal gain perspective for use in ideal capturing circumstances. Quiet conditions and few DSLR cameras will benefit from the high location (+20dB). The lowest setting (-10dB) will diminish the signal to reduce the probability of clipping from harsh sound sources.

  • Strong ergonomic design
  • Easy to control
  • Ambient sound
  • 9V battery
  • Equalized mini-XLR outputs
  • Easiest and sexiest mic for your DSLR
  • The battery can be difficult to remove
  • Not so good for documentary shooting

Final Verdict:

The Rode Stereo VideoMic X is a significantly expensive microphone; however, when we consider all the features we have, this mic winds up being a top-quality microphone, standard with a wide range of various options have. It has many individual characteristics.


Sennheiser XSW-D Microphone

As you know, Sennheiser is a great microphone company. Now we are reviewed its XSW-D microphone that comes with various options as far as the microphone and the connection. Moreover, it is the best lavalier mic for film that comes with a standard clip-on lavalier mic, which we’ll show you here.

It’s moderately basic. It has a metal windshield on it, a clip, and the 3.5 mm plug on the other edge.

Furthermore, it also has a threaded barrel that will lock it onto the receiver or the transmitter.

In addition to this, it comes with a transmitter and receiver that are very small, incorporate built-in batteries with over 5 hours of running time, and there’s only an individual button, so you don’t have to complain about an assemblage of settings.

Moreover, Sennheiser has created a leading option for videographers and those who don’t understand sound production but need high-quality sound.

  • Plug-In and Turn On Functionality

The one-button and one-LED idea with a single-button interface and battery status indicator effortlessly control power and link tasks.

The receiver is pre-paired at the factory and transmitter also, so when you turn on the system, it works—without the requirement for any extra button pressing.

  • License-Free Operateable on Worldwide

However, the XSW-D device is the best mic for filming which operates in the license-free 2.4 GHz band. You don’t have to bother about bounded licensing laws, frequency coordination, and other technological troubles.

Let the system choose a channel for you and start capturing sound, whether you’re working indoor or outdoor anyplace in the world.

  • Sound Quality

Sennheiser XSW-D Mic

Sennheiser is famous for wireless mic systems and is an industry-standard, costly by specialists for accuracy and reliability. The XSW-D system enables first-time and limited budget users to get a genuine Sennheiser sound quality without destroying the bank.

As you know, the ME 2-II lavalier microphone comes in the kit that passes a natural sound optimized for speech understandability. Its omnidirectional polar pickup pattern guarantees that the sound remains steady, even when the source passes away from the microphone.

  • Portable
  • High-quality
  • Lightweight
  • Easy to setup
  • Battery
  • windscreen
  • It makes failures in crowded areas, with a range of more than 10m.

Final Verdict:

Sennheiser company is known in the market for producing the best microphone for filmmaking. Sennheiser knows the customer’s requirements and pays much attentiveness to every detail of their build to make sure everything gets correctly. Moreover, It gives a quality output that levels up your video. It is a budget-friendly mic, so your pouch will not lament purchasing it.

  1. Sennheiser EW 500 FILM G4 Wireless Microphone

Sennheiser EW 500 FILM G4 Mic

The Sennheiser ew 500 FILM G4 is a professional’s selection for high-quality broadcast sound, Implementing the most incredible flexibility for your video sound and field capturing applications. and the perfect solution for filmmakers, videographers, and journalists that can rely on—also in challenging shooting in environmental areas like big cities.

Moreover, this wireless microphone device offers the ultimate audio quality, simple mounting facility, and comfort of use.

The camera-mount receiver on this microphone is easily attachable to a camcorder, a DSLR camera to record crisp-sounding sound.

The EW 500 FILM G4 is backward cooperative with preceding evolution devices, including EW 100 models, providing you the capability to mix and adjust G4/G3/G2/G1 receivers or bodypack plug-on transmitters. However, this system comes with two transmitters, but you can use only one at a time.

  • High-Quality Sound

The MKE 2 is an omnidirectional best lav mics for film that gives actual and broadcast-quality audio that is fully optimized for communication understandability. Its omnidirectional polar pickup pattern guarantees that the sound remains compatible, even when the speaker’s source moves away from the microphone.

Further, To take full benefit of your microphone’s dynamic limit, the system applies exclusive HDX compander technology, maintaining your sound without combining undesired noise during transmission—producing audio with exceptional precision and quality.

  • Excellent Controls for Soft Use

  • The transmitter and receiver correspond via an infrared interface with the easy press of a button.
  • The frequency scan feature automatically scans for the most reliable frequency at your position.
  • Furthermore, 10/30/50 mW switchable RF output supports overwhelmed interruption or preserve battery life.
  • The adjustable input sensitivity on the transmitter accommodates mic levels ranging from booming voices to quiet speech and even line-level audio.
  • The receiver has a flexible output range of 42 dB to suit your camera.
  • High quality sound
  • Easy to setup and use
  • Mountable easily on your camera/camcorder
  • Lavalier Mic
  • No cons

Final Verdict:

If you are a videographer and looking for the best microphone for filmmaking that fulfills your audio, multimedia, and other specific requirements, this EW 500  is the best mics for a short film. Nevertheless, it’s seemingly the best mics for documentary filmmaking that could come up in those people’s thoughts that could easily buy it for its ultimate performance and suit their estimates.

  1. Vidpro XM-55 Shotgun Microphone

Vidpro XM-55 Shotgun Microphone

The Vidpro XM-55 is a shotgun microphone with a whole package created for indoor and outdoor shootings with DSLRs, camcorders, field or handheld recorders, and many more.

The super-cardioid polar pickup pattern enhanced off-axis signal refusal. It concentrated on the front side while the 100 Hz to 16 kHz frequency response gives tonality tailored for understandable sound reproduction.

Moreover, The XM-55 comes with an adjustable shock mount, a stand mount, and thread adapters to hold mounting to a microphone stand, boom pole, camera shoe, and tripod.

It also includes a furry windshield for outdoor environmental shootings, a foam windscreen for indoor shootings to protect the sound and provide precise results, and a cushioned hand grip for suitable handheld performance.

Furthermore, this battery-powered shotgun mic includes a single AA battery, so no phantom power is needed.

Thanks to vidpro for the supplied cables and jack adapter, the microphone’s XLR output can be attached to devices implemented with XLR, 3.5mm, or 1/4 inches inputs.

In addition to this, it also included a foam-padded hardshell case that facilitates secure and comfortable transportation among gigs.

However, It’s a little pricey, but this seems like a perfect mic for the money. The audio recorded through this shotgun microphone is clear and energetic. Moreover, The construction of this microphone looks good and reliable.

  • Furry windshield for outdoors
  • Form windscreen for indoors
  • Convenient for handheld operations
  • Quality sound
  • AA battery
  • No phantom powered required
  • The furry windshield is not suitable for some users

Final Verdict:

Acknowledging the usual point of view. We are not uniquely sold on it yet, but this microphone is an excellent choice for users having a low budget with an eye towards the future. Among all the latest film microphones, this Vidpro has many outstanding features that make it stand out. It would be best if you bought it without any hassle.

  1. PIXEL MC650 Camera Microphone

PIXEL MC650 Camera Microphone

The Pixel MC650 microphone produces an excellent sound quality, which many of us would try to differentiate from the more costly alternatives.

Moreover, this microphone has a super-cardioid polar pattern feature, which provides the most accurate audio from the front side.

Further, it has a high-pass filter functionality that cuts out room and wind noise below 80 Hz.

You can also change from -10 to +10 dB gain. The frequency range of MC650 is 100Hz – 20KHz, so you won’t get the more valuable costly microphones’ cheaper end response. This pixel microphone is ONLY compatible with a 3.5 mm conventional stereo jack

However, it also has useful extras: the long extension cable, dead cat wind protector, and carrying case. The microphone needs 2 x AA batteries, which should keep it working for 100 hours of use.

  • Super cardioid polar pattern
  • 2 AA batteries
  • Excellent sound quality
  • Low price
  • Easy to use
  • Perfect for windy conditions
  • Easy mountable to DSLR
  • Large extension cable for off-camera use
  • The body is made from plastic, which could generate durability in matters long term or when moving
  • The shock absorber is a light wispy
  • The cable is permanently attached to the mic

Final Verdict:

To all the videographers and the content creators out there looking for a decent microphone, PIXEL MC650  will be the best thing that ever happens to you. It has some very remarkable features, and it comes at a low price.

  1. FEELWORLD FM8 Universal Compact Shotgun Microphone

FEELWORLD FM8 Universal Shotgun Microphone

FEELWORLD FM8 Universal is a Compact Shotgun Video Microphone that comes with a Shock Mount, Windshield, and 3.5mm Cable for sound Recording. It is highly compatible with Smartphones, DSLR Cameras.

However, this microphone is created to improve audio quality on all recording devices. You can use it with no concern for Vlogging or YouTube videos, streaming, filmmaking.

Moreover, this mic has different cables that allow you to connect the camera to a usual audio port or a TRRS port, the same on some iPhones.

The mic does not require batteries, so no issues need to check the batteries before each use. Furthermore, it seems to have a downside somewhat in that the microphone doesn’t have a power boost from the batteries.

In addition to this mic, it comes with a pop filter screen and a windscreen filter that are excellent additions for capturing audio in any environmental conditions.

Moreover, this microphone can be sensitive with some slight wind, so do not forget the windscreen filter if there is a breeze.

  • Highly Convenient and lightweight

The video mic has a 42gram weight, very easy to carry—no battery needed for DSLR Camera or Smartphones. The cardioid microphone with shock mount can reduce outside environmental noises.

  • Cleared and Clean Sound

It has a Highly sensible microphone core, a furry windshield, and a windscreen, efficiently shielding ambient sound and echo, making the personal voice clearer and clean.

  • Highly Compatibility

It is highly compatible with audio/video recording tools. A TRS cable for connection with DSLR Cameras and Recorders as well as for DJI Osmo and GoPro while DJI and GoPro need adapters (not included)).A TRRS cable for connection with Smartphone devices.

  • Quality sound
  • Professional and easy to use
  • Highly sensible
  • No battery needed
  • Convenient and easy to use
  • windscreen
  • Not so good at the quality for few users.
  • You’ll still require to use noise filters.

Final Verdict:

If you look at the features and the functionalities of the best microphone for filmmaking, think seriously about this microphone. It has very eye-catching features, and apart from it, the parts are very premium. This mic’s performance is something behind expectations, and all features linked give you the perfect arrangement.

  1. Shure BLX14/CVL Wireless Lavalier Microphone

The Shure BLX14/CVL is a cost-efficient wireless lavalier microphone system with high-quality audio, easy to set up, automatic operation, and reliable performance.

Moreover, it involves the compact and the lightweight BLX4 individual channel tabletop receiver with interior antennas, excellent for portable use.

Further, the BLX14/CVL also comes with a CVL cardioid lavalier microphone with clip and windscreen that reduces undesirable noise and a bodypack transmitter.

The receiver has a one-touch feature of QuickScan frequency choice to immediately explore 123 available frequencies and find a proper RF channel in case of interruption.

Moreover, this system gives up to 14 hours of constant usage with two AA batteries. Up to 12 microphone channels can work concurrently in a particular frequency band.

However, this smooth system is well adapted for hands-free conversations in small functions, wedding halls, worship and organization homes, and educational institutes.

  • Optimization and Low-Visibility

The CVL lavalier condenser mic is made for low visibility and precise vocal generation. However, this microphone has cardioid polar patterns that refuse undesired noise.

A tailored frequency rejoinder is fully optimized for conversation understandability.

  • Lightweight Transmitter

The strong BLX1 bodypack transmitter gives a lightweight, ergonomic design that is easy for the presenter to use.

Group and channel choice switches provide for fast and straightforward frequency pairing with the receiver.

Furthermore, this microphone features incorporate an effortlessly convenient on/off switch, flexible gain controller, and a TA4M 4-pin input jack.

  • Comfortable-to-Use Receiver for High-Quality sound

The BLX4 receiver operates microprocessor-controlled interior antenna multifariousness to enhance your wireless audio’s quality and authenticity.

An LED display displays group and channel settings, while two LED lights show when the system is available for use and the incoming sound signal’s power.

  • Quality sound
  • Two AA batteries
  • Easy to operate
  • Lightweight
  • Perfect for outdoor shootings
  • LED indicator
  • windscreen
  • the box that fits in your pocket is a tiny big, but most of the customers wear suits, so that’s fits in their pocket excellent
  • looks poorly made, but it gives outstanding sound

Final Verdict:

Shure BLX14/CVL has a very subtle design. Shure gives every element detailed consideration presenting it a genuinely great microphone. Even where the production is concerned, it stands out amongst all its opponents. It has unbelievable features. and all of them combined to deliver you the optimized performance you all are seeing for.

Frequently Asked Questions

What is phantom power on a microphone?

If you are ready to use a condenser mic in your home recording studio, you probably know the importance of phantom power. Phantom power is the DC voltage that provides power to the active components of a dynamic microphone. This power is transmitted through the balanced audio cables that carry audio signals. The standard phantom power is +48 Volts DC.

What Kind of Microphone Is Best Used for Film Recording?

There are two main types of mic that are used for film recording — shotgun microphones (that’s are super-cardioid) and lavalier microphones (that’s are omnidirectional). Further, Shotgun microphones are directly mountable to your camera or a boom arm to record your expected vocal target up to a specific range.

However, the lavalier microphones are ideal mics when capturing one person’s voice without background sound. Moreover, they are also great when capturing the audio going on in your entire circle, known as Foley sounds.

Which is better, VHF or UHF wireless microphone?

The vital difference between VHF and UHF is the frequency The name suggests VHF is ‘’ very high frequency’’ is a range of radiofrequency between 49 and 216 MHz. It has been divided into two bands: a low band, 49 to 108MHz, and a high band, 169 to 216MHz.In addition to this, this is not a reasonable range for interference-free wireless mic use. On the other hand, UHF is ultra-high frequency has up to eight times more frequencies available. Further, it may be considered the best wireless mics for film shoot because UHF has a high-frequency range VHF but also controls the movement of signal through the atmosphere more quickly.

Are lav microphones directional?

Lav- sized mics are directional. They always directly point towards the user’s mouth. Directional lav is preferably used on overcrowded occasion so that reducing audience noise and limit feedback. if you are ready for a live lecture and presentation, you can easily use lav mic because cable clip, windscreen, or tape of this mic are highly favored to help you to reduce noise

What is the difference between cardioid and omnidirectional Microphones?

An omnidirectional microphone is the best microphone for filmmaking that has a spherical pickup design while, on the other hand, a cardioid microphone is a narrower pickup pattern. The omnidirectional microphone functions when the source moves its direction around the microphone, while the cardioid microphone is mostly used in those situations when you want to reject the unnecessary sound rear the microphone


We have written down the best microphone for filmmaking for you. Now select the best production mics for short film with confidence.

Many factors matter, but there are two are the great microphones that we liked.

Suppose you are a filmmaker and want the best mics for DSLR filmmaking, and agreeing on characteristics does not exist in his dictionary, and also for him, the cost doesn’t matter.

In that case, I must say Shure BLX14/CVL is the ultimate choice for you. Though a little expensive, it offers some spectacular features that are perfect for your video production.

On the other hand, if you are some content-creator and want the best outdoor microphone to fulfill your basic requirements and have a restricted budget, think about Rode Stereo VideoMic X.

All the best video microphone 2020 mentioned in this article are best suited for filmmaking. But if you have a low budget and need a quality microphone, then Vidpro XM-55 is the best shotgun mic for long distance.

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